Acta Psychopathologica Open Access

The Psychology and Psychiatry Mystery of the Crime in Skotoprigonyevsk

Natalia Szejko^* Department of Psychology, Medical University of Warsaw, Poland
^*Correspondence: Natalia Szejko, Department of Psychology, Medical University of Warsaw, Poland, Email:

Received: 31-Jan-2023, Manuscript No. IPAP-23-15905; Editor assigned: 02-Feb-2023, Pre QC No. IPAP-23-15905(PQ); Reviewed: 16-Feb-2023, QC No. IPAP-23-15905; Revised: 21-Feb-2023, Manuscript No. IPAP-23-15905 (R); Published: 28-Feb-2023, DOI: 10.4172/2469-6676-9.1.09

Introduction

Dostoyevsky’s last novel might measure up to a major fresco which portrays the Russia of its times. This work addresses the rot of the old thoughts and the ascent of new ones affected by the Western culture coming into Russia. It is likewise a picture of a rotting privileged, the supposed ‘father’s age’ and their ‘lost children’, who feel rootless among old social and social plans. Besides, it shows an experience between the old confidence and strict wariness. In Dostoyevsky’s polyphonic work, various voices show up and every one of them merits consideration. These voices are an impression of the social, monetary, legitimate, and clinical issues of the time, as addressed by the three specialists: Old specialist Herzenstub, the youthful specialist Warwinski, and the esteemed specialist from Moscow. The variety of subjects that show up in the novel and the portrayal of the heroes portrayed through the depiction of actual highlights given by the creator make this work an original that is available to different understandings, not just corresponding to the subjects referenced by Dostoyevsky, yet in addition other more unambiguous thought processes. The book is loaded up with pressures and inconsistencies in both the manner it is developed and in the portrayal of the characters. Critical plot improvements are concealed through error by various heroes or are even stowed away from the peruser, just like the case in the main occasion that occurs in the novel, the homicide of Fyodor Karamazov. It is indispensable to recall that as per Bachtin.

Description

The Siblings Karamazov is the main novel by Dostoyevsky that has a really polyphonic completion. Consequently, it can’t be deciphered as completed. In the first place, we might want to recap a few verifiable truths from the book. Fyodor Pavlovich Karamazov is a landowner who has three children: Dmitri (otherwise called Mitya) from his most memorable marriage, and Ivan and Alexey from his subsequent marriage. He is most likely likewise the dad of the steward, Pavel Smerdyakov. Pavel Smerdyakov is the child of Lisaveta Smerdyakova, the neighborhood distraught woman who meanders carelessly around the city and is normally considered ‘yuródivyya’, or ‘frantic in Christ’. Old Karamazov, the prototype ‘awful dad’, is killed.

Conclusion

All signs lead to the most seasoned child, Dmitri (otherwise called Mitya), who is recognized as a likely executioner, albeit the actual homicide isn’t portrayed in the book. At the main second, when Mitya remains before the enlightened window and sees the disdained profile of his dad, the portrayal closes out of nowhere with an ellipsis. The peruser is never determined what occasions happened between this second and when the old worker Gregory gets Mitya escaping endlessly. The occasions of that evening are displayed to the peruser according to four alternate points of view. Mitya claims that right now of his dad’s passing, God was safeguarding him: He just took off from the window anddid not kill his dad. Another observer, Gregory, a worker that followed Mitya, was truly harmed when hit on the head by him. During the preliminary, Gregory gives proof that he saw that the front entryway of Fyodor’s home was open. This admission will be utilized against Mitya. After several minutes, the entryway was additionally seen by Marfa, Gregory’s better half, who was woken by her significant other’s shout.